Soundtracks and a guilty secret

Ennio Morricone, conductor, composer and trumpet-player, died yesterday. Amongst a long career of achievements he wrote the scores to over 400 films and TV productions. Westerns were a particularly successful genre for him. Many of his film scores are classics, (including those he wrote for Sergio Leone and Giuseppe Tornatore). They’ve been absorbed into our popular culture for over 60 years.

The husband is a man of endless resourcefulness, a combination of optimism and problem-solving ability. Recently, I have found myself in a virtual world of ebullient, noisy plumbers. Weekday lunches often have a soundtrack of YouTube tutorials, jolly chaps teaching all sorts of skills not normally on my radar.

We both had one very disturbed night over the weekend. He was fretting over some technical issue and had to get up to draw his way out of the glitch. He then stayed up, wide-awake, to watch a film. Probably involving guns and all things macho. Upstairs, I kept hearing a single plaintive ‘mew’, one note of anguished cat. It lacked Miss Baxter’s range, her ascending scale and volume. The sound occurred every ten minutes or so. I searched the house for an injured animal. Turns out it was a branch, scraping in the wind against a bedroom window, which made those feline-imitating calls of distress.

My current guilty pleasure is wandering through animal rescue websites. I had to stop myself from clicking ‘reserve me’ next to the image and description of a delinquent, anti-social goat. One bossy sheep, Gwilym, is quite enough.

I wrote a haiku or three yesterday…

Define spaniel?
Committed to living life
with limitless joy.

Your brother could have
had webbed feet. Instead, you ran
joyful – till you stopped.

Just an afterthought.
The cute pup chosen: how could
we leave you behind?

A hard act to follow? For now, I need to keep resisting the lure of unfriendly goats.

On wit and gin

My mother worked in nursing, apart from a few brief months as a GPO telephonist, from the age of 17 to her premature death at 50. While she worked nights, I recall watching old black-and-white films with my father. Not all were age-appropriate but, if my father had been asked to justify exposing me to such material, it would have all been about the dialogue. He admired a snappy one-liner, a withering put-down. The English-only rule was broken for Raymond Chandler and a couple of those quick-fire sparring movie partnerships from the 1930s.

More modern films left my father unimpressed. He found them banal and saccharine. World-weary cynicism was one thing,  but when it was combined with a laconic delivery – superb.

The first TV I remember was acquired, or rather made, by him when I was six, convalescing in bed for just under two months. Recuperating, trapped, I read a little but watched much more. Now, confined to home in the nationwide notgoingoutclub,  I’m forgiving myself the dip in energy levels, the short attention span. I’m letting a lot of barely average TV wash over me, except of course for the ever-present, unavoidable news. Luckily, there’s usually an evening G&T to take the edge off the relentless sadness, the vitriol of journalists, the incompetence of politicians.

And luckily too, there’s this place, and there’s family.